Professor Anne Marsh
Adelaide Biennale 2018, Adelaide: Art Gallery of South Australia, 2018, p. 54.
Mira Oosterweghel, Metro Arts, Brisbane, 2015.
Adelaide Experimental Art Foundation, April 1 – May 16, 2015.
Notes to GB, Sutton Gallery Nov/Dec 2014, no pagination.
In Mark Kimber: Side Show Valley, Stills Gallery, Paddington, NSW, 2014, no pagination.
in Jenny Bolis, Night Garden, artist’s book short essay, December 2013, no pagination.
In Emma Matthews (ed.), 25 Years of the Willow Collection of Australian Art 1988-2013, Hawthorn East, Victoria: Willow Group Pty Ltd, 2013, pp.100-101.
In Polixeni Papapetrou: A Performative Paradox, exhibition catalogue, Fitzroy: Centre for Contemporary Photography, 2013, pp. 4-7.
In Janine Burke (ed.), On the Road: Personal View 1978-1986, Monash University Publishing, 2011.
Catalogue essay, Fehily Contemporary, Collingwood, September 2011, no pagination.
Catalogue essay for Jill Orr: Vision, Jenny Port Gallery, Richmond, 2 June – 3 July, 2010, no pagination.
Catalogue essay for Once More with Feeling, Victorian College of the Arts Margaret Lawrence Gallery, 23 April-23 May, 2009, pp 7-11.
Gallery 101, Melbourne September 2008, on pagination.
Monika Tickacek, Karen Woodbury Gallery, Melbourne International Art Fair, 31 July – 3 August, 2008, pp. 18-23.
In Capricornia: Between the Sublime and the Spectacular – the Photographic Art of Shane Fitzgerald, Artspace MacKay, Qld, 2006, pp. 23 – 27.
Extra-Aesthetic: 25 Views of the Monash University Collection, Monash University Museum of Art, 2006, pp. 30-31.
Linden Art Gallery, 2006, no pagination.
Places of Worship: Claudia Terstappen, Faculty of Art & Design Gallery, Monash University, 2005 np.
Monash University Museum of Art, selected wall texts, July-August 2004.
ARC One Gallery, November 2004, np.
Kristin Headlam: News, Richmond: Charles Nodrum Gallery, 2003.
The Synthetic Image, Faculty of Art and Design Gallery, Caulfield, 2002.
Peter Kennedy: Selected Works 1970-2002, The Ian Potter Museum of Art, the University of Melbourne, 2002, pp. 3-8.
Double Dutch, Greenaway Art Gallery, Adelaide, 2002, no pagination (1,000 words).
Interview, Second Nature, Monash University Museum of Art (Project Room), 2001, no pagination.
Telling Tales: The Child in Contemporary Photography, Monash University Gallery, 2000, no pagination (2,600 words).
Diary of a Dead Beat Modern Art Type: Gary Willis, 1972-1982, Melbourne: Gulag Publishing, 2000, pp. xii-xi.
Jason Keats: white-wash/black leather shine, Adelaide: Experimental Art Foundation, 2000.
Seppelt Contemporary Art Award, exhibition catalogue Museum of Contemporary Art, Sydney, 1998, pp. 10-13.
Catalogue essay for Polixeni Papapetrou, exhibition catalogue, Curated Bodies, Centre for Contemporary Photography, August-September, 1996, no pagination.
Exhibition catalogue, Art Gallery of New South Wales, Sydney, 1995, pp. 86-87.
Jill Orr: Raising the Spirits, exhibition catalogue, Museum of Modern Art at Heide, September 1994, no pagination.
Exhibition catalogue The Aberrant Object: Women/Dada and Surrealism, Museum of Modern Art at Heide, March/April, 1994, pp. 33-37.
Fifth Australian Sculpture Triennial, FAST review-essay, exh. cat., vol. 2, 1993.
Elizabeth Bodey: Periodic, An Installation, 200 Gertrude Street, Friday 5-Saturady 27 February 1993.
Off the Wall, In the Air, exhibition catalogue, Australian Centre for Contemporary Art, Melbourne, 1991.
Exhibition catalogue, Jill Orr Retrospective, Australian Centre for Contemporary Art, 1989, no pagination.