0

Loading ...
Welcome to

Professor Anne Marsh

Contemporary Art Historian,
Independent Researcher & Art Critic

Anne Marsh is a contemporary art historian, independent researcher & art critic. Anne has held professorial positions at The University of Melbourne & Monash University since 1999.

About
Anne Marsh

She has published six books and edited others with colleagues. Anne has published widely in journals, magazines and newspapers, and was Melbourne contributing editor for Eyeline Contemporary Visual Arts 1997-2024.


She has received generous support for her research from the Australia Council for the Arts, Creative Victoria, the City of Melbourne and the Australian Research Council.

exhibition

Switch

Curated by Cherine Fahd and Julie Rrap

An exhibition in which five artists and five writers collaborate by stepping into unfamiliar modes of practice. Artists write; writers make art. This displacement is intended to test what happens when practice is loosened from its usual forms. From this starting point, each pair develops their work through ongoing response: writing, making, or shifting approach as their dialogue unfolds.

exhibition

Switch

Julie Rrap and Anne Marsh collaborated to create Word of Mouth.



Word of Mouth began with Julie’s image ‘putting words in my mouth’, Anne responded wearing a black covid mask with typed words attached, Julie said Anne looked like a terrorist! We’d talked about using AI to generate some images and Anne started down that path. We agreed to focus on the mouth. Anne used ChatGPT to make images of words going into and between mouths but was getting bored when Julie sent pictures of a Basquiat collage/painting hanging from the ceiling in an exhibition she visited as an idea for a ’look’ and ‘form’ for our work. We agreed that two double-sided hanging banners was the go. This inspired chalk drawings and text images from Anne and the work for Switch started to emerge. In the final collage Julie proposed that the ‘performative’ nature of the text and the images suggested a riotous blend of each collaborators’ contributions. Anne added that it’s a kind of psycho-babble of noise punctuating a void.

Works

View Works

by Professor Anne Marsh