Refereed Journal Articles
by Professor Anne Marsh
‘Mike Parr: Foreign Looking’,
‘Body-Time: Rethinking the Radical Edge in Video Performance by Australian Women Artists’,
Senses of Cinema, December 2016.
‘A Language of the Feminine in the Works of Eugenia Raskopoulos’,
Australian and New Zealand Journal of Art, 15:2, 2015, pp. 182-194.
‘A Right of Privacy and Photography in Public’,
Anne Marsh, Melissa Miles, Mark Davison and Jessica Whyte, Australian Intellectual Property Law Bulletin, Volume 25, Number 1, June 2012, pp. 13-14.
‘Performance Art Collaborations (with notes on video, installation and conceptual art)’,
COLLOQUY text theory critique 22, 2011, pp.180-196.
‘Performance Art and its Documentation: A Photo/Video Essay’,
About Performance, Still/ Moving: Photography and Live Performance, Sydney: Department of Performance Studies, University of Sydney, No. 8. 2008, pp. 15-29.
‘A Surrealist Impulse in Contemporary Australian photography’,
Papers of Surrealism, no. 6, AHRB Research Centre for Studies in Surrealism and its Legacies, no. 6, 2007, University of Essex and University of Manchester, on-line journal
‘A Photographic Ghost in Contemporary Painting’,
Southern Review, vol. 37, no. 1, 2004, pp. 34-48.
‘Ned Kelly by Any Other Name’,
Journal of Visual Culture (UK), vol. 1, no. 1, April 2002, pp. 57-65.
‘Leah King-Smith and the Nineteenth Century Archive’,
History of Photography (UK), vol. 23, no. 2, Summer 1999, pp. 114-117. Special issue on Australian photography edited by Michael D. Galimany. http://www.tandfonline.com/doi/abs/10.1080/03087298.1999.10443809?journalCode=thph20
'Performing Histories and the Myth of Place: A Female Menace’,
in n.paradoxa: international feminist art journal, vol. 3, January 1999, pp. 6-14.
‘Bad Futures: Performing the Obsolete Body’,
Continuum, Electronic Arts in Australia, ed. Nicholas Zurbrugg vol. 8, no. 1, August 1994, pp. 280-292.
‘Techno-Bodies: Spectacles, Dreams and Desires’,
Binocular, September 1992, pp. 129 - 147.