Chapters in Books

by Professor Anne Marsh

‘A Fantastic Real: Contemporary Photography and Theoretical Ideas’

Rex Butler and Jacqueline Miller (eds) Critical Interventions: Biennale of Sydney 2002, Sydney: Artspace Visual Arts Centre Ltd., no pagination, 4,400 words

‘A Theoretical and Political Context’,

in Hilary Robinson, Feminist Art Theory, Blackwell Publishers, 2001, pp. 96-101.

‘Requiem Chorus: Peter Kennedy's Millennium Opus’,

in Adam Geczy and Benjamin Genocchio, (eds.) What is Installation? An Anthology of Writings on Australian Installation Art, Power Publications, Sydney, 2001, pp. 101-106.

‘Obsolete Bodies and Prosthetic Gods’,

in Peta Tait (ed), Body Show/s,: Australian Viewings of Live Performance, Rodopi Theatre Series, Amsterdam, 2001, pp. 177-186.

‘Australian Performance Art, 1969-1998’,

Art Action 1958-1998, Quebec, Canada: Éditions Intervention and\Nouvelles éditions polaries Niepe, 2001, in French and English, pp. 186-197.

‘Re-configuring the Body: the Theatre of Photography’,

in Stuart Koop and Susan Fereday (eds), Post: Photography/Post Photography, Centre for Contemporary Photography, Fitzroy, 1995, pp. 27-38.

About Anne Marsh

Anne is Professorial Research Fellow at the University of Melbourne's Victorian College of the Arts. Professor Anne Marsh's research areas include:

Photography, Performance Art, Feminism and Postmodernism.

Latest Projects

Doing Feminism / Sharing the WorldUpdate Updated 9 Nov 2017


Professor Anne Marsh
Faculty of the Victorian College of the Arts & Melbourne Conservatorium of Music
The University of Melbourne
234 St Kilda Road