Chapters in Books

by Professor Anne Marsh

‘Mirror with a Memory: Motel Room’,

in Natalie King (ed.), Up Close: Carol Jerrems with Larry Clark, Nan Goldin and William Yang, Heide Museum of Contemporary Art and Schwartz City, Melbourne, 2010, pp. 142-143.

‘Performance Art, Ritual and Shamanism’,

in Makarand Paranjape (ed.), Sacred Australia: Post-Secular Considerations, Melbourne: Clouds of Magellan Press, 2009, pp. 271-285.

‘The Medium as Ghost: Politics and Poetics in Peter Kennedy’s Work’

in Hilde Van Gelder and Helen Westgeest (eds.), Photography between Poetry and Politics: The Critical Position of the Photographic Medium in Contemporary Art, Leuven UP, 2008, 99. 19-34.

‘Performance Art at the George Paton Gallery’

in Helen Vivien (ed), When You Think About Art: The Ewing & George Paton Galleries 1971-2008, Melbourne: Macmillan, 2008, pp. 190-207.

‘Memos to the 21st Century: An Australian Story’,

in Return to Postmodernism: Theory - Travel Writing - Autobiography, eds Klaus Stierstorfer, Universitatsverlag, Winter GmbH, Heidelberg, Germany, 2006, pp. 35-42.

‘Body Memory and Time Zones’

in Roy Ascott (ed.), Coded Characters: Media Art by Jill Scott, Senefelderstraβe, Germany: Hatje Cantz Verlag Publishers, 2003, pp. 030-039. German and English.

About Anne Marsh

Anne is Professorial Research Fellow at the University of Melbourne's Victorian College of the Arts. Professor Anne Marsh's research areas include:

Photography, Performance Art, Feminism and Postmodernism.

Latest Projects

Doing Feminism / Sharing the WorldUpdate Updated 9 Nov 2017


Professor Anne Marsh
Faculty of the Victorian College of the Arts & Melbourne Conservatorium of Music
The University of Melbourne
234 St Kilda Road