Chapters in Books

by Professor Anne Marsh

‘A Brief History of Performance Art at the George Paton Gallery’,

in Janine Burke and Helen Hughes (eds.), Kiffy Rubbo: Curating the 1970s, Melbourne & London: SCRIBE, 2016, pp. 123-132.

‘Mike Parr: Performance, Ontology, Revolt’,

in Elspeth Pitt and Roger Butler (eds.), Mike Parr: Language and Chaos, National Gallery of Australia, Canberra, 2016, pp. 70-83.

‘Performance Art—Live and on Screen’,

in Adam Geczy (ed.), What is Performance Art?, Sydney: Power Publications, 2015.

‘Einhorn unter Tauben’,

in Angela Stief (ed.), Leigh Bowery: Verwandlungs-künstler, Bern/Wein: Piet Meyer Verlag, 2015, pp. 161-207 [‘A Unicorn among Pigeons’, Angela Stief (ed.), Leigh Bowery: Transfiguration-artist, Bern/Vienna: Pet Meyer Publishing.

Anne Marsh and Alex Heller-Nicholas, ‘Bill Henson and the Polemics of the Nude Child in Photography’,

in Anne Marsh, Melissa Miles and Daniel Palmer (ed.), The Photographic Threat: Privacy, Paranoia and Public Space, Intellect, 2015, pp. 82-99.

‘Artist Run and Self-Organised: Some Speculations and Dichotomies’

in Laura Castagnini and Vikki McInnes (ed.), BUREAU 2, South Bank: Margaret Lawrence Gallery, Victorian College of the Arts 2014, pp. 19-22.

About Anne Marsh

Anne is Professorial Research Fellow at the University of Melbourne's Victorian College of the Arts. Professor Anne Marsh's research areas include:

Photography, Performance Art, Feminism and Postmodernism.

Latest Projects

Doing Feminism / Sharing the WorldUpdate Updated 9 Nov 2017


Professor Anne Marsh
Faculty of the Victorian College of the Arts & Melbourne Conservatorium of Music
The University of Melbourne
234 St Kilda Road