by Professor Anne Marsh
in Janine Burke and Helen Hughes (eds.), Kiffy Rubbo: Curating the 1970s, Melbourne & London: SCRIBE, 2016, pp. 123-132.
in Elspeth Pitt and Roger Butler (eds.), Mike Parr: Language and Chaos, National Gallery of Australia, Canberra, 2016, pp. 70-83.
in Adam Geczy (ed.), What is Performance Art?, Sydney: Power Publications, 2015.
in Angela Stief (ed.), Leigh Bowery: Verwandlungs-künstler, Bern/Wein: Piet Meyer Verlag, 2015, pp. 161-207 [‘A Unicorn among Pigeons’, Angela Stief (ed.), Leigh Bowery: Transfiguration-artist, Bern/Vienna: Pet Meyer Publishing.
in Anne Marsh, Melissa Miles and Daniel Palmer (ed.), The Photographic Threat: Privacy, Paranoia and Public Space, Intellect, 2015, pp. 82-99.
in Laura Castagnini and Vikki McInnes (ed.), BUREAU 2, South Bank: Margaret Lawrence Gallery, Victorian College of the Arts 2014, pp. 19-22.
Anne is Professorial Research Fellow at the University of Melbourne's Victorian College of the Arts. Professor Anne Marsh's research areas include:
Photography, Performance Art, Feminism and Postmodernism.